The film is framed as the recollections of Sergeant Galoup, a former French legionnaire stationed in Djibouti (he’s played with a mixture of cruel reserve and vigorous physicality by the great Denis Lavant). Loosely depending on Herman Melville’s 1888 novella “Billy Budd,” the film makes brilliant use with the Benjamin Britten opera that was likewise influenced by Melville’s work, as excerpts from Britten’s opus take on a haunting, nightmarish quality as they’re played over the unsparing training routines to which Galoup subjects his regiment: A dry swell of shirtless legionnaires standing inside the desert with their arms within the air and their eyes closed just as if communing with a higher power, or frequently smashing their bodies against just one another in the series of violent embraces.

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More than anything, what defined the decade was not just the invariable emergence of unique individual filmmakers, but also the arrival of artists who opened new doors to the endless possibilities of cinematic storytelling. Directors like Claire Denis, Spike Lee, Wong Kar-wai, Jane Campion, Pedro Almodóvar, and Quentin Tarantino became superstars for reinventing cinema on their possess terms, while previously established giants like Stanley Kubrick and David Lynch dared to reinvent themselves while the entire world was watching. Many of these greats are still working today, and also the movies are all the better for that.

Its legendary line, “I wish I knew the best way to Stop you,” has because become one of many most famous movie quotations of all time.

It’s hard to imagine any of your ESPN’s “30 for thirty” sequence that define the trendy sports documentary would have existed without Steve James’ seminal “Hoop Dreams,” a five-year undertaking in which the filmmaker tracks the experiences of two African-American teens intent on joining the NBA.

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That issue is key to understanding the film, whose hedonism is solely a doorway for viewers to step through in search of more sublime sensations. Cronenberg’s route is cold and medical, the near-continuous fucking mechanical and indiscriminate. The only time “Crash” really comes alive is in the instant between anticipating Dying and escaping it. Merging that rush of adrenaline with orgasmic release, “Crash” takes the vehicle to be a phallic symbol, its potency tied to its potential for violence, and redraws the boundaries of romance around it.

A dizzying epic of reinvention, Paul Thomas Anderson’s seedy and sensational second hot4lexi film found the 28-year-aged directing with the swagger of the young porn star in possession of the massive

But when someone else is responsible for developing “Mima’s Room,” how does the site’s weblog manage to know more about Mima’s thoughts and anxieties than she does herself? Transformatively tailored from a pulpy novel that had much less on its mind, “Perfect Blue” tells a DePalma-like story of violent obsession that soon accelerates into the stuff of a full-on psychic collapse (or two).

The magic of Leconte’s monochromatic fairy tale, a Fellini-esque throwback that fizzes along the Mediterranean coast with the madcap Power of a “Lupin the III” episode, begins with the live sex fact that Gabor doesn’t even attempt (the current flimsiness of his knife-throwing act suggests an impotence of a different kind).

The thought of Forest Whitaker playing a modern samurai hitman who communicates only by homing pigeon is often a fundamentally delightful prospect, a single made all the more satisfying by “Ghost Pet dog” writer-director Jim Jarmusch’s utter reverence for his title character, and Whitaker’s commitment to playing the New Jersey mafia assassin with each of the pain and gravitas of someone tnaflix with the center of the historic Greek tragedy.

Stepsiblings Kyler Quinn and Nicky Rebel get to their hotel room while on vacation and discover that they obtained the room with one particular bed instead of two, so they finish up having to share.

centers around a gay Manhattan couple coping with major life variations. One among them prepares to leave for the long-term work assignment abroad, as well as other tries to navigate his feelings for your former lover who's living with AIDS.